為了<死之讚美>這首歌看的 結果從頭到尾都沒唱？

A cheap and reactionary film. There is no"redemption" here, but"hope" (the hope of what?). What happens the next day, when parole officers catch up with Red? What happens to bringing the real culprit of Andy's wife behind the bar? Where is the PTSD of an"institutional man?" There is no deep critique of prison economy here, nor that of America's CJS (all we have is a few corrupt officials outsmarted by a banker who of course ran away w all the money and is praised for it, sounds familiar?). The completely implausible"figaro" sequence cheapens the real struggle for freedom. All of this is the stuff of cheap Hollywood.

不想再受騙，所以才開始騙人，什麽鬼邏輯。而且左南本身就是從小就騙人的，根本不是因為這一次啊。馬麗演小姑娘還是很讓人尷尬。

7/10。許多情節描述得令人茫然，譬如為何遊戲之神要陪伊綱下象棋、說故事聽，人類又是如何掌握地精的情報，而求婚戲除了滿足粉絲以外似乎毫無必要。將背景設置在混沌、悲慘的時代是很有代入感：既然人類身處時代的漩渦，更無法躲避毀滅的危機，那不如積極參與，創造新的曆史，裏克背負著犧牲者的姓名被愧疚感逼瘋、休比賭上生命連接全體機械種，這兩場戲虐心且決絕，但感情爆點之間的內容有些潦草，前半段圍繞心的理解（羈絆與無限信任）設計的互動戲平淡，也使得裏克從消極自厭到積極參戰的心路曆程表現得不深入，後半段節奏加速的同時各種聲淚俱下的獻身戲又拖累了敘事，泄露情報引誘各大種族祭出大殺器的行動未免簡單化，缺乏張力。

湖南衛視糊不是沒有道理的，一切隻是剛剛開始。