不難看，某人很帥，女主某些角度是有點像Tori Amos（老了以後的紅毛妖婆

Sinners who art on earth, behold the masterpiece of horror! I can’t resist to make a philosophical reading of the film, helped on by Foucault. If the most evident level of dread stems from the possession of a sweet young girl by an ancient demon, another less obvious layer is much more significant. The movie starts by showing the child as bright, blooming, active - at most shaken up by her parents' recent divorce. As the doctors get more and more hold of her, kicking off with medication then moving forward with invasive, shocking tests & treatments, she gradually loses her self. As such, it's the cold, instrumental, dehumanizing gaze of the medical institution that is the most terrifying.

看時鬧轟轟 看完啥不剩

美國南北戰爭打得一點都不漂亮，相反卻非常猥瑣，是建立在屠殺印第安人的基礎上，開發都是血腥的，片尾的狼嚎太優雅了。

無論對於好勇鬥狠的馬虎，還是溫順柔弱的小雙，命運加害給他們的傷痕，都是他們拿起球棍猛擊回去的力量。兩代教練的鼓舞訓導，讓這些從小野蠻生長、自我評價極低、太多負麵情緒無處釋放的孩子們終於歸順於棒球比賽，並重新建立自我認知，迅速摔打成長，最終集體飛去了世界頂級賽場。隻可惜太多的現實條件讓他們似乎隻能止步於此。電影結束的鏡頭停在放棄歸隊訓練、站在家鄉樹下央求伯父不要丟下他不管的小雙身上。它留下一個巨大的問號：經此一役，這些孩子的人生會發生怎樣的轉折？他們對抗命運的意識和能力是否能被徹底翻盤？就像那棵樹投下的陰影——未來布滿陰霾，或許會柳暗花明，但更有可能的則是終其一生都無法出逃。畢竟人生不是慈善晚會或政績秀場。那個撬動命運的支點找到了，但熱鬧散去，當場上隻剩下這些孤注一擲的孩子們，它還能被撬動嗎？