Mizoguchi employs his trademark graceful and meditative camera style, especially gliding long takes, in checking against ambition, greed, and the iniquity of patriarchal society. A towering masterpiece with quiet intensity and emotional subtlety.

一季不如一季，有幾集有亮點，最後一集MAX妝容美到哭

是杜甫的《石壕吏》，“吏呼一何怒，婦啼一何苦。”溝口健二的哀和杜詩的哀是一樣的。現實主義的流暢敘事，卻鋪開了凝練的水墨畫卷。

第二季比第一季好看些，但編劇搞事情的功力沒怎麽見長，節奏緊湊了點

男主在泡妞這個技能上簡直是各種開掛，妞兒總是莫名其妙就湊上去了