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故事其實還是陸地上的不要以為放到水這個模板裏講就可以變個樣。全片最精彩的地方是男主把熊孩子丟下水，那一刻男主角簡直他媽帥！爆！了！另外熊孩子的媽真是豬一樣的隊友，但我怎麽就覺得她媽這麽麵熟呢，原來是CM的新血啊

四個小時，一種敘述，沒有偏頗的立場和噱頭，可以讓人沉下來思考。看那些寫於06、07年的影評，樓下的評論橫跨到2012，恍然意識到豆瓣還是有很多淨土的，不能怪這個時代這個網絡太浮躁，隻能怪正是自己把自己置於浮躁的境地裏。曆史的長河中，你我都是塵埃。

第二部和第三部各摘一半就是第四部，裴波那契續集是吧；外國舞獅都是些什麽貴物，有槍有炮還噴火，直接上坦克車得了

Sinners who art on earth, behold the masterpiece of horror! I can’t resist to make a philosophical reading of the film, helped on by Foucault. If the most evident level of dread stems from the possession of a sweet young girl by an ancient demon, another less obvious layer is much more significant. The movie starts by showing the child as bright, blooming, active - at most shaken up by her parents' recent divorce. As the doctors get more and more hold of her, kicking off with medication then moving forward with invasive, shocking tests & treatments, she gradually loses her self. As such, it's the cold, instrumental, dehumanizing gaze of the medical institution that is the most terrifying.

確實很悲哀，不過光憑一封信也無法定罪，目擊證人都死了